NORWAY CALLING! The Conti guitar is amazing, the best guitar I have! Both I and the students are impressed by the quality of this instrument. The Conti Guitar is from this day, my main guitar. It took 5 days from USA to North Norway. Good service. The school and students are also impressed by the ingenious way Robert Conti teaches on the DVDs and books. When my students follow the video, they feel that Robert is in the classroom. So far north and we feel that Robert is in the community.
Far superior to a $5,000 archtop I sold…
October 2024 Update
“I have to say that over the last 3 years, I’ve had at least 10 guitars of varying styles. From archtop, to Les Paul, to Telecaster, and from various manufacturers. But the finest guitars I’ve ever owned are my Conti guitars. I’m partial to the aesthetics of my wine-colored Entrada (the pic doesn’t do it justice). The sound of my blond Heirloom is extraordinary. And the antique burst Entrada is a treat when I feel the need for a traditional looking archtop. But they all sound fantastic in their own right and are easily the most playable guitars I’ve owned. I’ve looked at other boutique archtops and inflation has taken its toll over the last few years; most seem to be trending $7K to $9K…that is just not competitive with a Conti archtop. The value of a Conti archtop cannot be beaten IMO.
So again a big thank you to Steve, Mike and Robert for their incredible customer service and attention to detail.”
May 2023 Comments:
Beauty, playability, consistency, quality and value all describe my two Conti Entradas perfectly, but not completely. The purchasing process was undoubtedly the most customer focused experience I’ve ever encountered (for any product purchase I’ve ever made). From working with Steve in finalizing the guitar options, Mike on the supply/shipping/delivery side, and finally Robert and his incredibly enjoyable and personal videos; just an outstanding effort by a highly professional team that places the customer first.
They are the finest guitars I’ve ever owned (far superior to a $5,000 archtop I recently sold). The craftsmanship and value of the Entrada make me question why anyone would purchase anything other than a Conti Guitar.
I’m also about a third through the Source Code family of videos and Robert’s instruction is concise, insightful and highly enjoyable; a tremendous teacher without peer.
My sincere thanks to the great Conti Team!
Lonnie Smith – Canada
Additional Photos Of Lonnie's Port Wine Featuring The Midnight Package
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Bård Foshaug – Moen, Norway
NORWAY CALLING! The Conti guitar is amazing, the best guitar I have! Both I and the students are impressed by the quality of this instrument. The Conti Guitar is from this day, my main guitar. It took 5 days from USA to North Norway. Good service. The school and students are also impressed by the ingenious way Robert Conti teaches on the DVDs and books. When my students follow the video, they feel that Robert is in the classroom. So far north and we feel that Robert is in the community.
Jim Canini, Stanton, CA
The Conti guitar is first class and impeccable in every way. Above all, it sounds beautiful. The finish is flawless. Every part of the guitar that can be bound is and mostly in multiple binding. The headstock is reminiscent of great archtop guitars. The fingerboard is as smooth as glass. All the inlays are perfectly done. I like the rosewood tailpiece as opposed to a metal type. The bound rosewood pickguard is a nice touch of class. The hardware and controls are all the best quality. The neck is cantilevered so it doesn’t come into contact with the top and
Playing melody is a dream – the instrument really sings
“My playing technique is adapting to the Entrada (finger style a la ” Chet ” with a “Fred Kelly BumbleBee Thumb Pick”) – it seems it’s all about the ‘very light touch’ on this instrument. Playing melody is a dream – the instrument really sings – the pitches have a beautiful natural sustain (actually a glow) – very piano-like. Harmonics are crystal clear. Four voice chords remain in tune in the upper region of the neck (beyond the 12th fret). So far I’m just playing it as an unplugged acoustic – which works very nicely for me. I’m also working
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