Fr Ron Parker – Bryn Mawr, PA

Ron Parker with his Conti Entrada Archtop Jazz Guitar

“Like most professional guitarists, I have had a collection of fine guitars. Doing studio work in the 60s and 70s, I would sometimes go to the studio with five guitars: an arch top, flat top, acoustical, and solid bodies. One time I was evicted from an elevator on 56th street in New York – embarrassment! But now I have the guitar that does it all and sounds good playing jazz and rock. The Entrada fits with today’s sounds, the action is good and it fits under my coat. This is the guitar I have been waiting for. It’s got Moxi!

I have been playing and teaching guitar professionally for at least 60 years. I was a studio guitarist for three hit shows. Sweet Charity, and Promises, Promises, played jazz guitar for Chico Hamilton, featured at the River Boat Restaurant in the Empire State Building, played a lot, learned a lot, but the most usable stuff I’ve learned, I learned from a guy named Robert Conti

Father Ron Parker,
Bryn Mawr, PA

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4 thoughts on “Fr Ron Parker – Bryn Mawr, PA”

  1. Hi Ron just wanted to give you a shoutout hello ‘I don’t expect you to remember me but my friend Mike and myself took lessons from you in NYC. After class we would give you a ride to the bus station in our little Bug VW.Anyway good to see your well.God Bless Lionelcampos

    Reply
  2. Ron, Was wondering….did you ever give guitar lessons in Fords, New Jersey? American Music Studios on New Brunswick Avenue?

    I was a student of Ron Parker back in the 70s.

    Reply
    • Yes, that was my dad. That was probably in the early to mid 1970s. The owner was Art Braga, and I took drum lessons from him while my dad taught guitar upstairs.
      All the best,
      Steve Parker

      Reply
  3. I can’t believe I found you on the internet my dad and brother and I took lessons from you in Edison nj.
    Gary Nestor still playing I learned so much from you studying your lessons years later!!

    Reply

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Jim Canini, Stanton, CA

The Conti guitar is first class and impeccable in every way. Above all, it sounds beautiful. The finish is flawless. Every part of the guitar that can be bound is and mostly in multiple binding. The headstock is reminiscent of great archtop guitars. The fingerboard is as smooth as glass. All the inlays are perfectly done. I like the rosewood tailpiece as opposed to a metal type. The bound rosewood pickguard is a nice touch of class. The hardware and controls are all the best quality. The neck is cantilevered so it doesn’t come into contact with the top and

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Dennis Wechter's Two Conti Guitars

Great neck, incredible action!!

Here is a picture of the newest guitars for my collection. I can’t say enough about these two guitars, but let me say a few things. First of all, I have always wanted an Entrada with two pickups, and when this one became available, I had to have it. It plays like a dream guitar. Great neck, incredible action!! The Kent Armstrong pickups are very responsive and create a very warm sound responding to this body. The color of this guitar is amazing. I do not have this color on any of the guitars in my collection. This guitar is

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David Hall with Conti Heirloom Archtop

Fretboard action is silky smooth

This “Heirloom” is quite simply one exquisite modern jazz guitar & I am absolutely delighted with it. Out of the box, having shipped several thousand miles, a slight tweak of the G string tuning was all that was needed as the set up by your guy is perfection. What was quite unexpected however, given the relatively thin body depth, was this instrument’s beautiful acoustic sound — it truly ” sings” with a perfect Jazz voicing. Harmonics ring clear at every harmonic fret & again surprise, given the 24 frets fingerboard, the 23rd & 24th frets rang clear & true across

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