Tim Cornelius – Chandler, AZ

My new Conti Guitar arrived today (Saturday) as planned and it looks and plays GREAT! I love it and it’s everything you said it would be. Here is a photo taken in my home music studio with the new Conti Guitar and the Henriksen JazzAmp 112. I love both and I appreciate your help and support with all the products I have purchased thus far.

Thank Mr. Conti for providing such great educational materials. I reflect back to my early days when I first started playing guitar at 8 years old. My teacher taught me what he called melody chord arrangements which I still remember and can play today. However, he never explained why these chords were chosen for the melody, and now, after studying The Chord Melody Assembly Line and The Formula, much of this is coming into full view for me. Thanks also for the complimentary DVDs. As I progress, I will send a few YouTube videos to Will Kriski’s Facebook group.

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Jack Pezanelli – Berklee College of Music

“Spectacular guitar, something I’ve been looking for for a long time.  All solid wood, attention to detail is top notch.  If I were to design a guitar for myself, it would be a lot like this. Very comfortable, highly recommended!” -Jack Pezanelli Professor, Guitar, Berklee College Of Music

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Ian Leyland with his gorgeous natural finish Conti Heirloom Thin Archtop Jazz Guitar

Wish I had discovered this guitar way back when…

I recently bought an absolutely stunning Conti Heirloom! I’ve been playing guitar for about 25 years. Like most guitarists, I’ve owned, sold and traded my share of guitars in an effort to find the most perfect fit. None have felt as smooth and easy to play as the Conti Heirloom. For me, the most important aspect of a guitar is the feel and intonation. The Heirloom action is surprisingly low, the neck shape is very comfortable (not too fat, not too narrow) and the intonation is stellar no matter where I am on the neck. I only wish I had

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Ron Parker with his Conti Entrada Archtop Jazz Guitar

Fr Ron Parker – Bryn Mawr, PA

“Like most professional guitarists, I have had a collection of fine guitars. Doing studio work in the 60s and 70s, I would sometimes go to the studio with five guitars: an arch top, flat top, acoustical, and solid bodies. One time I was evicted from an elevator on 56th street in New York – embarrassment! But now I have the guitar that does it all and sounds good playing jazz and rock. The Entrada fits with today’s sounds, the action is good and it fits under my coat. This is the guitar I have been waiting for. It’s got Moxi!

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