Really a first class service…

“Watching the video was as opening my presents before Christmas.  But my Entrada is at home now and works very well. It is very light (2,8 kg) for long gig or rehearsals even longer, and it changes me from my big Gibsons that tire me. From Wes to Santana, a must. Thank you to the whole team and to Mr Robert Conti spending time for me. It’s really a First Class Service.”

-Michel Le Gac – Grasse, France

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Smooth neck and great action

I Love My New Entrada! The 24-fret neck and shallow cutaway allow easy access to the highest register of the guitar. At half the depth of my old archtop, it’s easy to wrap my elderly right shoulder around. The spot behind the bridge where my hand rests while playing is comfortable. Gives me a consistent pick stroke across all strings. Beautiful antique sunburst finish. Smooth neck and great action. Ebony pickguard is thick and secure. Happier with that than I had expected to be. (I took the pickguard off my big ol’ archtop.) Plays so much better than my full-bodied

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John Monllos – Newport, Rhode Island

I played the Conti Guitar for the first time on a live gig this past Saturday and the audience noticed a difference in my tone. One person told me all of the notes ring out like a church bell and yet the overall sound of the guitar is warm and jazzy. The lead singer in my band immediately noticed how even the response is from the lowest note to the highest; he said he liked how “well balanced” the sound was from the guitar. My weekly gig lasts for four hours and the guitar is very comfortable to play for

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Photo of Kenneth Babb with his Conti Entrada Archtop Jazz Guitar

Playing melody is a dream – the instrument really sings

“My playing technique is adapting to the Entrada (finger style a la ” Chet ” with a “Fred Kelly BumbleBee Thumb Pick”) – it seems it’s all about the ‘very light touch’ on this instrument. Playing melody is a dream – the instrument really sings – the pitches have a beautiful natural sustain (actually a glow) – very piano-like. Harmonics are crystal clear. Four voice chords remain in tune in the upper region of the neck (beyond the 12th fret). So far I’m just playing it as an unplugged acoustic – which works very nicely for me. I’m also working

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