My name is James Dawson. I’ve been playing for over 50 years. Studied with Hank Mackie, Jimmy Foster, (who also built me 7 seven string guitars” They are unreal.) Emily Remler, and several more wonderful teachers. I’ve looked for one and could not find one. Long story short, mike called me back and they had found one “RUBY RED”. It looks like I could have gotten the last one that could be made. I do setups for a good many players in town. NEVER have I got a guitar in the mail that I didn’t have to reface some frets,
Joel Lackey – Las Vegas, NV
As a teenager, my first “real” guitar was a used Gibson ES-295. I played it to death and then very proudly bought a new 1964 “Barney Kessel” model. I have since owned every archtop Guitar in the Gibson catalog. My favorite being the L-5 Wes Montgomery model which I still own . Since I consider you my mentor, I decided to try the guitar that has been designed and produced by you. You really nailed it Bob. The Conti Guitar has captured the essence of the Gibson L-5 while expanding its capabilities and designing in extra added attractions that only a working guitar player can appreciate. For instance, the guitar meets the body at a different fret level allowing access to the upper register above the 12th fret, the relocation of the input plug in a different place so that you don’t wear out your cords AND pants with constant gigging, and the characteristic humbucking sound has not been left behind either. The thin body style reminds me of my gigging guitar, the Byrdland, but you haven’t engineered out the acoustic sound. This is the guitar that we have been waiting for!
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Bruce Thomas – Lake Arrowhead, CA
Having recently purchased the Conti jazz guitar, I must say there is no equal. The innovative 24 fret neck challenges any jazz player to think beyond the traditional fretboard. The neck’s thin line construction gives the player an immediate fluid feel. Whether a flurry of notes or the strike of that unmistakable “blue note”, this guitar leaves you yearning for more. Warm tones, great action, and soft curves make this particular guitar potentially addictive. You won’t stop playing. Creativity will soar and passion will fill the air. People will notice that you are not just making music but making musical
I’ve not put it down since I got it
My name is James Dawson. I’ve been playing for over 50 years. Studied with Hank Mackie, Jimmy Foster, (who also built me 7 seven string guitars” They are unreal.) Emily Remler, and several more wonderful teachers. I’ve looked for one and could not find one. Long story short, mike called me back and they had found one “RUBY RED”. It looks like I could have gotten the last one that could be made. I do setups for a good many players in town. NEVER have I got a guitar in the mail that I didn’t have to reface some frets,
Douglas Martin, Woodinville, WA
I finally got a second to write you and tell you how much I’m enjoying this wonderful guitar. It’s hard to fault this guitar for form, fit or finish. I think it’s on the level of a custom shop Gibson, but with some better appointments. I currently have a Gibson ES-165HE and a ES-135 that have both been professionally Plek’ed and they don’t play as well as this Equity right out of the box. I’m really enjoying the lightweight thinline body, can play it for hours and not feel weighted down – my ES-135 feels like I’ve strapped on a
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